Andy Warhol Hammer and Sickle (Special Edition), 1977 FS II.171 is the final print in the Hammer and Sickle Special Edition portfolio that Warhol created to illustrate the printing progression of his print Hammer and Sickle, 1977 FS II.164. This print shows the skeleton sketch of a hammer and sickle that Warhol overlays over the top of the red color blocking in the final print. In 1976, Warhol took a trip to Italy and during his time there saw the communist symbol of the hammer and sickle all over the country at the time. Warhol sought to deconstruct the communist symbol and separate the objects from any political or cultural ideologies. In this special edition portfolio, he deconstructs both objects even further, creating what ends up being abstracted compositions that together forms a recognizable screenprint. Warhol was not as interested in what the symbol represented, a wave of communist ideologies sweeping the nation in the late 70s, but was more intrigued by the repeated nature of the symbol and its place in pop culture, if it had one. Ronnie Cutrone, Warhol's studio assistant, created his own photographs for Warhol to work from, as he was unable to find suitable references for the artist. Warhol was able to replicate the iconic symbol of the hammer and sickle in unique ways in each of the prints. This special edition portfolio gives insight into Warhol's printing process and we are able to visually see the separate parts that make a whole.

Created in 1977, this work is a screenprint on Strathmore Bristol paper, hand signed by Andy Warhol in pencil in the lower center.  Numbered from an edition of 10.

Catalogue Raisonné & COA:
Andy Warhol Hammer and Sickle (Special Edition), 1977 FS II.171 is fully documented and referenced in the below catalogue raisonné and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).

1. Feldman, Frayda and Jörg Schellmann, A Catalogue Raisonne, 4th ed. Listed as catalogue raisonné no. II.171 on page 99.
2. A Certificate of Authenticity will accompany this artwork.

About the Framing:
Framed to museum-grade, conservation standards, Andy Warhol Hammer and Sickle, 1977 FS II.171 is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.